Main books
Illuminating Video. An Essenyial Guide to Video Art. Ed. By Hall Doug, Fifer Sally Jo. New-York, 1990.
Kittler, Friedrich. The History of Communication Media. Ctheory.<http://www.ctheory.com/>
Krauss, Rosalind. Video: The Aesthetics of Narcissism.
MacLuhan, Marshall. The Guttenberg Galaxy.Toronto, 1995.
Manovich, Lev. Behind the Screen / Russian New Media. Ctheory. <http://www.ctheory.com/>
Paik, Nam June. La Vie, Satellites, One Meeting - One Life. VideoCulture. Ed. by John G. Hanhardt. A Critical Investigation/ U.S.Utah, 1990.
Partnership for Culture 1998. The bulletin of the symposium.Stockholm, 1998.
Video Culture. Edited by John G. Hanhardt. A Critical Investigation/U.S. Utah, 1990.
Zielinski, Siegfried. Media Archaeology. Ctheory. <http://www.ctheory.com/>
Art of Bill Viola / edited by Chris Townsend. 2004
Artistic creation and video art. 1982
Bill Viola--selected works / a production of the Television Laboratory at WNET/Thirteen ; [filmmaker], Bill Viola. 1989
Body, space, memory [electronic resource] / ad319. 1997
Experimental film and video : an anthology / edited by Jackie Hatfield ; picture editor, Stephen Littman. 2006
I do not know what it is I am like / creator, director, producer, editor, Bill Viola ; in association with the Contemporary Art Television Fund, a project of the Institute of Contemporary Art, Boston, and WGBH New Television Workshop. 1986
New television : a public/private art : essays, statements, and videotapes based on "Open circuits : an international conference on the future of television" organized by Fred Barzyk, Douglas Davis, Gerald O'Grady, and Willard Van Dyke for the Museum of M1977
Passing / [filmmaker], Bill Viola. 1991
Stuff it : the video essay in the digital age / Ursula Biemann (editor). 2003
Video art : an anthology / compiled and edited by Ira Schneider and Beryl Korot ; managing editor, Mary Lucier. 1976
World wide video. 1993
OffMedia : nuove tecniche artistiche : video, disco, libro / Germano Celant. 1977
Timeshift : on video culture / Sean Cubitt. 1991
Videography : video media as art and culture / Sean Cubitt. 1993
Coming and going : New York (Subway), Paris (Metro), San Francisco (BART), Washington (METRO) / Peter D'Agostino. 1982
Paik : Video / Edith Decker. 1988
Paik video / Edith Decker-Phillips ; [translated by Karin Koppensteiner, Marie-Genvie?ve Iselin, and George Quasha]. 1998
Video art : a guided tour / Catherine Elwes ; with a foreword by Shirin Neshat. 2005
Immagine video : arti visuali e nuovi media elettronici / Vittorio Fagone. 1990
Reflecting pool de Bill Viola : infra Bill ultra Viola / Jean-Paul Fargier. 2005
Video : state of the art / Johanna Gill. 1976
Dan Graham, selected writings and interviews on art works, 1965-1995 / [essay] by Adachiara Zevi. 1996
Nam June Paik : Fluxus, Video / Wulf Herzogenrath. 1983
On the small screen : new approaches in television and video criticism / Hal Himmelstein. 1981
Video implosion : models for reinventing television / Kas Kalba. 1974
Touch : sensuous theory and multisensory media / Laura U. Marks. 2002
From celluloid to cyberspace : the media arts and the changing arts world / Kevin F. McCarthy, Elizabeth Heneghan Ondaatje. 2002
Digital and video art / Florence de Me?redieu ; [translator, Richard Elliott]. 2005
Joan Jonas I want to live in the country (and other romances) / Susan Morgan. 2006
Video-Narcissus / Michael Morris, Vincent Trasov ; [Herausgeber, Edition ARS VIVA! & Berliner Ku?nstlerprogramm des DAAD]. 1982
Steiner art tapes / Anja Osswald. 1994
Nam June Paik: videa 'n' videology, 1959-1973. [Edited by Judson Rosebush. Photos. by Peter Moore.] 1974
Nam June Paik : video time, video space / general editors, Toni Stooss and Thomas Kellein. 1993
Video, un art contemporain / Franc?oise Parfait. 2001
Electronic arts of sound and light / Ronald Pellegrino. 1983
Video art / Michael Rush. 2003
Video : the reflexive medium / Yvonne Spielmann ; translated from the original German, with a slightly expanded introduction for the English edition by Anja Welle and Stan Jones. 2005
Art of Magic : a fantasy of world building and the art of the rath cycle / introduction by Richard Garfield ; text by Anthony Waters ; & edited by Lizz Baldwin. 1998
Stan Douglas / Scott Watson, Diana Thater, Carol J. Clover. 1998
Michal Rovner : the space between / Sylvia Wolf ; with an essay by Michael Rush and a conversation between Michal Rovner and Leon Golub. 2002
Art of Bill Viola / edited by Chris Townsend. 2004
Artistic creation and video art. 1982
Bill Viola--selected works / a production of the Television Laboratory at WNET/Thirteen ; [filmmaker], Bill Viola. 1989
Body, space, memory [electronic resource] / ad319. 1997
Experimental film and video : an anthology / edited by Jackie Hatfield ; picture editor, Stephen Littman. 2006
I do not know what it is I am like / creator, director, producer, editor, Bill Viola ; in association with the Contemporary Art Television Fund, a project of the Institute of Contemporary Art, Boston, and WGBH New Television Workshop. 1986
New television : a public/private art : essays, statements, and videotapes based on "Open circuits : an international conference on the future of television" organized by Fred Barzyk, Douglas Davis, Gerald O'Grady, and Willard Van Dyke for the Museum of M1977
Passing / [filmmaker], Bill Viola. 1991
Stuff it : the video essay in the digital age / Ursula Biemann (editor). 2003
Video art : an anthology / compiled and edited by Ira Schneider and Beryl Korot ; managing editor, Mary Lucier. 1976
World wide video. 1993
OffMedia : nuove tecniche artistiche : video, disco, libro / Germano Celant. 1977
Timeshift : on video culture / Sean Cubitt. 1991
Videography : video media as art and culture / Sean Cubitt. 1993
Coming and going : New York (Subway), Paris (Metro), San Francisco (BART), Washington (METRO) / Peter D'Agostino. 1982
Paik : Video / Edith Decker. 1988
Paik video / Edith Decker-Phillips ; [translated by Karin Koppensteiner, Marie-Genvie?ve Iselin, and George Quasha]. 1998
Video art : a guided tour / Catherine Elwes ; with a foreword by Shirin Neshat. 2005
Immagine video : arti visuali e nuovi media elettronici / Vittorio Fagone. 1990
Reflecting pool de Bill Viola : infra Bill ultra Viola / Jean-Paul Fargier. 2005
Video : state of the art / Johanna Gill. 1976
Dan Graham, selected writings and interviews on art works, 1965-1995 / [essay] by Adachiara Zevi. 1996
Nam June Paik : Fluxus, Video / Wulf Herzogenrath. 1983
On the small screen : new approaches in television and video criticism / Hal Himmelstein. 1981
Video implosion : models for reinventing television / Kas Kalba. 1974
Touch : sensuous theory and multisensory media / Laura U. Marks. 2002
From celluloid to cyberspace : the media arts and the changing arts world / Kevin F. McCarthy, Elizabeth Heneghan Ondaatje. 2002
Digital and video art / Florence de Me?redieu ; [translator, Richard Elliott]. 2005
Joan Jonas I want to live in the country (and other romances) / Susan Morgan. 2006
Video-Narcissus / Michael Morris, Vincent Trasov ; [Herausgeber, Edition ARS VIVA! & Berliner Ku?nstlerprogramm des DAAD]. 1982
Steiner art tapes / Anja Osswald. 1994
Nam June Paik: videa 'n' videology, 1959-1973. [Edited by Judson Rosebush. Photos. by Peter Moore.] 1974
Nam June Paik : video time, video space / general editors, Toni Stooss and Thomas Kellein. 1993
Video, un art contemporain / Franc?oise Parfait. 2001
Electronic arts of sound and light / Ronald Pellegrino. 1983
Video art / Michael Rush. 2003
Video : the reflexive medium / Yvonne Spielmann ; translated from the original German, with a slightly expanded introduction for the English edition by Anja Welle and Stan Jones. 2005
Art of Magic : a fantasy of world building and the art of the rath cycle / introduction by Richard Garfield ; text by Anthony Waters ; & edited by Lizz Baldwin. 1998
Stan Douglas / Scott Watson, Diana Thater, Carol J. Clover. 1998
Michal Rovner : the space between / Sylvia Wolf ; with an essay by Michael Rush and a conversation between Michal Rovner and Leon Golub. 2002
Periodicals
Afterimage. Rochester, New York (United States), Visual Studies Workshop, since 1973.
Art Com. La Mamelle, San Francisco, Calif. (United States), Contemporary Arts Press, 1975-1979.
Art in America. New York (United States), since 1913.
Art on screen. New York (United States), Program for Art on Film, since 1992.
Art press. Paris (France), since 1972.
Artforum. San Francisco, Calif. (United States), since 1962.
Artweek. Castro Valley, Calif. (United States), McCann Publ., since 1970.
Avalanche. New York (United States), Center for New Art Activities, 1970-1973.
Beaux-Arts Magazine. Levallois (France), Editions Nuit et jour, since 1983.
Cahiers du cinéma. Paris (France), Editions de l’Etoile, since 1951.
Camera obscura. Berkeley, Calif. (United States), since 1976.
Chimaera. Hérimoncourt (France), CICV, Centre international de création vidéo, Montbéliard Belfort (France), since 1991.
Cøil : journal of the moving image. London (United Kingdom), Proboscis, since 1995.
Community Video Report. Washington, D.C. (United States), Washington Community Video Center.
Contrill’s filmnotes : a review of independent cinema and video, Melbourne (Australia).
East Village Eye. New York (United States), Eye Production, since 1979.
Environmedia. Venice (Italy), since 1972.
Felix. New York (United States), since 1991.
Film Quaterly. Berkeley, Calif. (United States), University of California, since 1958.
Frieze. London (United Kingdom), since 1991.
Fuse. Toronto, Ont. (Canada), Arton’s Publ., 1980-1986.
Gen-Lock. Geneva (Switzerland), Gen-Lock, 1986-1990.
Hybrid. London (United Kingdom), 1992-1994.
Independent Film and Video Monthly. New York (United States), Foundation for Independent Film and Video, since 1978.
Kunstforum International. Wetzlar (Germany), since 1973.
L’Image vidéo. Paris (France), Editions Fréquences, 1989-1991.
Leonardo. Oxford, Ala. (United States), Pergamon Press, since 1968.
Leonardo music journal. San Francisco, Calif. (United States), MIT Press, since 1991.
Media Arts. New York (United States), National Alliance of Media Arts Centers, since 1996.
Mediamatic. Groningen (Netherlands), Stichting Mediamatic, since 1986.
Metronome. Dakar (Senegal), London (United Kingdom), Berlin (Germany), Basel (Switzerland), Frankfurt (Germany), Vienna (Austria), Metronome Publ., since 1996.
Mouvement. Paris (France), since 1993.
Mute. London (United Kingdom), Pauline Van Mourik Broekman, Simon Worthington, since 1994.
Nomad's land. Paris (France), Pays nomade, since 1997.
October. Cambridge (United States), Jaap Reitman, since 1976.
Octopus (suppl. of Mouvement). Paris (France), Hyacinthe, since 1993.
Omnibus. Paris (France), Omnibus l'avance artistique, 1991-2000.
Parachute. Montreal, Quebec (Canada), Artdata Enr., since 1975.
Para-para (suppl. of Parachute). Montreal, Quebec (Canada), Parachute, since 2000.
Performance Magazine. London (United Kingdom), 1979-1992.
Pix. London (United Kingdom), Pix, since 1993.
Pixel : le magazine des nouvelles images. Paris (France), Zao, since 1988.
Prototypes. Hérimoncourt (France), CICV, Centre international de création vidéo, Montbéliard Belfort (France), 1991-1992.
Radical Software. New York (United States), Raindance Corporation, since 1970.
Scope magazine. Veyrier (Switzerland), 1992-1993.
Screen. Oxford (United Kingdom), Oxford University Press, vol. 37, n. 1, 1996.
SEND. San Francisco, Calif. (United States), San Francisco International Video Festival.
Studies in Visual Communication. Philadelphia, Pa. (United States), Annenberg School of Communications.
Trafic. Paris (France), Editions POL, since 1991.
Turbulences vidéo. Clermont-Ferrand (France), since 1991.
Vidéodoc'. Brussels (Belgium), Médiathèque de Belgique, 1976-1989.
Video guide : Vancouver's Video Magazine. Vancouver, B.C. (Canada), since 1978.
Video Networks. San Francisco, Calif. (United States), Bay Area Video Coalition.
Video Texts. New York (United States), Anthology Film Archive.
Vidéochroniques. Marseille (France), IMEREC, Institut méditerranéen de recherche et de création, since 1991.
Video d’autore. Rome (Italy), Gangemi editore, since 1994.
Videoglyphes. Paris (France), Association Vidéoglyphes, since 1979.
Videography. New York (United States), United Business Publ.
Vidéo ? vous avez dit vidéo ? Liège (Belgium), Cirque divers, since 1979.
Zapp Magazine. Amsterdam (Netherlands), since 1994.
Special issues
" Audiovisuel ", Art press, hors série, Paris (France), n. 1, 1982.
" Aux frontières du cinéma ", Les Cahiers du cinéma, Paris (France), hors série, April 2000.
" Electrosons = electrosounds ", Parachute, Montreal, Quebec (Canada), n. 107, 2002 ; Para-para, suppl. of Parachute, 07-08-09-2002.
Flash Art International, n. 228, January-February 2003.
" Internet all over : l'art et la toile ", Art press, hors série n. 2, Paris (France), 1999.
" Landscapes ", Felix : A Journal of Media Art and Communication, New York (United States), vol. 2, n. 1, 1995.
" Mouvances de l’image = Image shifts ", Parachute, Montreal, Quebec (Canada), n. 103, 2001 ; Para-para, suppl. of Parachute, 07-08-09-2001.
" Nouvelles technologies : un art sans modèle ? ", Art press, hors série, Paris (France), n. 12, 1991.
" Nouvelles technologies ", Parachute, Montreal, Quebec (Canada), n. 84, 10-11-12.1996.
" Où va la vidéo ", Cahiers du cinéma, Paris (France), hors série, 1986.
" Techno. Anatomie des cultures électroniques ", Art press, hors série, Paris (France), n. 19, 1998.
" Télévision et démocratie ", Chimaera : Les cahiers du Centre international de Création Vidéo,
n. 1 et 2, Montbéliard Belfort (France), 1991.
" Vidéo ", Art press, Paris (France), n. 47, 1981.
" Vidéo ", Communications, Paris (France), Editions du Seuil, n. 48, 1988.
" Video Art ", Art Journal, London (United Kingdom), vol. 54, n. 4, 1991.
" Video Art-Video Alternative ", High Performance, Los Angeles, Calif. (United States), vol. 10, n. 1, 1987.
" Video Art Explorations ", Cahiers du cinéma, Paris (France), hors série, Autumn 1981.
" Vidéo des années 80 ", Film action, n. 30, 12.1981-01.1982.
" Video Issue ", Arts Magazine, New York (United States), n. 4, December 1974.
" Video the Reflexive Medium ", Art Journal, London (United Kingdom), vol. 45, n. 3, Autumn 1985.
" Vidéo-Vidéo ", Revue d'esthétique, Paris (France), Klincksieck, 1986.
Quaderni del Museo dell’Accademia Linguistica, n. 24, Genoa (Italy), Accademia linguistica di belle arti (Italy), [issue dedicated to video].
" World Wide Video ", Art and Design, London (United Kingdom), vol. 8, n. 7-8, July-August 1993.
Specialized books
D'AGOSTINO Peter, Transmission-Theory and Practice for a New Television Aesthetics, New York (United States), Tanam Press, 1985.
D'AGOSTINO Peter, MUNTADAS Antonio, The Un-Necessary Image, New York (United States), Tanam Press, 1982.
ARMES Roy, On Video, London (United Kingdom) ; New York (United States), Routledge, 1988.
Nouvelles images, nouveau réel : cahiers internationaux de sociologie / ed. by G. BALLANDIER, Paris (France), Editions PUF, 1987.
Film et vidéo 82-92 : catalogue / foreword by François BARR, Paris (France), Centre national des arts plastiques, 1993.
BATTCOCK Gregory, Minimal Art : A Critical Anthology, New York (United States), E.P. Dutton, 1968.
BATTCOCK Gregory, New Artists Video : a Critical Anthology, New York (United States), E.P. Dutton, 1978.
Cinéma et dernières technologies / ed. by Franck BEAU, Paris (France) ; Brussels (Belgium), De Boeck Université, 1998.
BELLOUR Raymond, Eye for I : Video Self-Portraits, Independent Curators Incorporated, New York (United States), 1989. Eye for I : Video Self-Portraits, Montreal, Quebec (Canada), Musée d'art contemporain de Montreal, 1992.
BELLOUR Raymond, L'Entre-images : photo, cinéma, vidéo, Paris (France), Editions La Différence, 1990.
BELLOUR Raymond, L'entre-images 2 : mots, images, Paris (France), Editions POL, 1999.
BERGER Hans, BERGER René, L’art vidéo : défis et paradoxes, Lausanne (Switzerland), 1974.
BERGER René, La Téléfission, alerte à la télévision, Paris (France), Casterman, 1976.
BEY Hakim, TAZ, The Temporary Autonomus Zone, Ontological Anarchy, Poetic Terrorism, New York (United States), Autonomedia, 1991 ; TAZ, Zone autonome temporaire, Paris (France), Editions de l'Eclat, 1997.
BLOCH Dany, Art et vidéo, 1960-1980/82, Locarno (Switzerland), Flaviana, 1982.
BLOCH Dany, Art vidéo, Condé-sur-Noireau (France), L'image 2-Alin Avita, 1983.
BONET E., DOLS J., MERCADER A., MUNTADAS A., En torno al video, Barcelona (Spain), G. Gili, 1980.
BOYLE Deirdre, Video Classics : A Guide to Video Art and Documentary Tapes, Phoenix, Ariz. (United States), Oryx Press, 1986.
BRUGEROLLE Marie de, L’enrichissement des collections du Musée national d’art moderne, Centre Georges Pompidou ; les nouveaux supports : vidéo-numériques, [diploma, museology, Ecole du Louvre, 1992], Paris (France), Ecole du Louvre, 1992.
Connections : art réseaux média / texts collected and presented by Annick BUREAUD and Nathalie MAGNAN, Paris (France), Ecole nationale des beaux-arts, 2002.
BURGIN Victor, In Different Spaces : Places and Memory in Visual Culture, Berkeley and Los Angeles, Calif. (United States), University of California Press, 1996.
CAC, Critical Art Ensemble, The Electronic Disturbance and Electronic Civil Disobedience, New York (United States), Autonomedia, 1994 ; La Résistance électronique et autres idées impopulaires, Paris (France), Editions de l’Eclat, 1997.
CADOZ Claude, Les réalités virtuelles : un exposé pour comprendre, un essai pour réfléchir, Paris (France), Flammarion, 1994, (Dominos).
CAGE John, Silence : lectures and writings, Middletown, Ohio, Wesleyan University Press, 1961 ; Silence : discours et écrits, Paris (France), Denoël, 1970.
CARDAZZO Paolo, LUGINBÜHL Sirio, Videotapes : arte tecnica storia, Padua (Italy), Mastrogiacomo, 1980.
CAUQUELIN Anne, DUGUET Anne-Marie, KUNTZEL Thierry, MEREDIEU Florence de, WEISSBERG J.L., Paysages virtuels, Paris (France), Editions Dis Voir, 1988.
CELANT Germano, OffMedia : nuove techniche artistiche : video disco libro, Bari (Italy), Dedalo Libri, 1977.
CHARLES Daniel, Gloses sur John Cage : suivies d'une Glose sur Meister Duchamp, [new. ed. revised and augmented], Paris (France), Desclée de Brouwer, 2002 (Arts et esthétique).
COLOGAN Guy, SIMONI Jean-Bernard, Passages de l'image [petit journal], Paris (France), Editions du Centre Pompidou, 1990.
COSTA Mario, Artmedia : rassegna internazionale de estetica del video e della communicazione, Salerno (Italy), Opera universitaria di Salerno, 1985.
COTTON Bob, OLIVIER Richard, Understanding hypermedia : from multimedia to virtual reality, London (United Kingdom), Phaidon, 1993.
COUCHOT Edmond, Images : de l'optique au numérique, Paris (France), Hermès, 1986.
CUBBIT Sean, Timeshift on Video Culture, London (United Kingdom), New York (United States), Routledge, 1991.
CUBBIT Sean, Videography : Video Media as Art and Culture, London (United Kingdom), Macmillan Education, 1993.
DAGOGNET François, Philosophie de l'image, Paris (France), Librairie Vrin, 1984.
DE KERCKHOVE Derrick, Brainframes : Technology, Mind and Business, Utrecht (Netherlands), Bosch & Keuning, 1991.
DERY Marc, Escape Velocity : Cyberculture at the End of the Century, New York (United States), Groove Press, 1996, Vitesse virtuelle, la cyberculture aujourd'hui, Paris (France), Abbeville, 1997.
DERRIDA Jacques, STIEGEL Bernard, Echographies de la télévision : entretiens filmés, Paris (France), Galilée, Bry-sur-Marne (France), INA, 1996.
DOUGLAS Davis, SIMMONS Allison, The new television : a public-private art, Cambridge, Mass. (United States), MIT Press, 1977.
DOWMUNT Tony, Channels of Resistance : Global Television and Local Empowerment, London (United Kingdom), British Film Institute and Channel Four Television, 1993.
DRUCKREY Timothy, Ars Electronica, Facing the Future, A survey of Two Decades, Cambridge, Mass. (United States), MIT Press, 1999.
DUGUET Anne-Marie, Vidéo, la mémoire au point, Paris (France), Hachette, 1981.
DUGUET Anne-Marie, Déjouer l'image, créations électroniques et numériques, Paris (France), J. Chambon, 2002.
Formation Art : Images de synthèse / ed. by Anne-Marie DUGUET, Paris (France), Université de Paris 1, Colloque, 14-15 October 1988.
DUGUET Anne-Marie, Déjouer l'image : oeuvres électroniques et numériques, Nîmes (France), J. Chambon, 2001.
L’art vidéo 1980-1999, vingt ans du Video Art Festival, Locarno : recherches, théories, perspectives / ed. by Vittorio FAGONE, Milan (Italy), Mazzota, 1999.
FIESCHI-VIVET L., Pratiques vidéo et plastiques godardiennes : élaboration de formes cinématographiques, [conference followed by debates], Cerisy (France), Centre culturel International, Cerisy la Salle, 14-21 June 2001.
FOREST Fred, Art sociologique, Vidéo, Paris (France), UGE, 1977.
FORESTA Don, Mondes multiples, Paris (France), Boutique à signes, 1991.
FROHNE Ursula, Video cult/ures, multimedial Installationen der 90er Jahre, Cologne (Germany), DuMont, 1999.
GAILLOT Michel, La techno, un laboratoire artistique et politique du présent, Paris (France), Editions Dis voir, 1999 (Sens multiple).
GALE Peggy, Video by artists, Toronto, Ont. (Canada), Art Metropole, 1976.
GANTY Alfred, MILLIARD Guy, WILLENER Alex, Vidéo et société virtuelle, Paris (France), Editions Tema, 1972.
GOLDBERG RoseLee, Performance Art from Futurism to the Present, New York (United States), H. N. Abrams, 1988.
GOLDBERG RoseLee, Performance art, London (United Kingdom), Thames and Hudson, 1998.
GOLDBERG RoseLee, Performances, l’art en action, London (United Kingdom), Thames and Hudson, 1999.
GRAHAM Dan, Video-Architecture-Television, Halifax, N.S. (Canada), Press of the Nova Scotia College of Art and Design, 1979.
GROOS Ulrike, MÜLLER Markus, Make it Funky : Crossover zwischen Musik Pop, Avantgarde und Kunst, Cologne (Germany), Oktagon, 1998.
GRUBER Bettina, VEDDER Maria, Kunst und Video : internationale Entwicklung und Künstler, Cologne (Germany), DuMont, 1983.
HALL Doug, FIFER Sally Jo, Illuminating Video : An Essential Guide to Video Art, New York (United States), Aperture, Bay Area Video Coalition, 1990.
Video culture : a critical investigation / ed. by John G. HANHARDT, New York (United States), Visual Studies Workshop Press, 1986.
Culture Technology and Creativity in the Late Twentieth Century / ed. by Philip HAYWARD, London (United Kingdom), J. Libbey and Cy, 1990.
HELSEL Sandra K., PARIS ROTH Judith, Virtual Reality : Theory, Practice and Promise, London (United Kingdom), M. Westport, 1991.
HASENLECHNER Anja, Vorbilder und Nachbilder : Positionen österreichischer Künstlerinnen zu neuen Medien, Vienna (Austria), Triton, 2001.
HENNION Antoine, La Passion musicale : une sociologie de la méditation, Paris (France), Editions Métaillé, 1993.
HERZOGENRATH Wulf, Videokunst in Deutschland 1963-1982 : Videoinstallationen, Video-Objekte, Videoperformances, Fotografien, Stuttgart (Germany), Gerd Hatje, 1982.
HERZOGENRATH Wulf, DECKER Edith, Video-Skulptur retrospektiv und aktuel : 1963-1989, Cologne (Germany), DuMont, 1989.
HERZOGENRATH Wulf, GAEHTGENS Thomas W., THOMAS Sven, HNISCH Peter, TV Kultur : das Fernsehen in der Kunst seit 1879, Amsterdam (Netherlands) ; Dresden (Germany), Verl. der Kunst, 1997.
Widerstände : Kunst, cultural Studies, neue Medien : Interviews und Aufsätze aus der Zeitschrift Springerin 1995-1999 / ed. by Christian HÖLLER, Vienna (Austria) ; Bozen (Italy), Folio, 1999.
HOTZ-BONNEAU Françoise, L'image et l'ordinateur, Paris (France), Aubier-INCA, 1986.
The Media Arts in Transition / ed. by Bill HORRIGAN, Minneapolis, Minn. (United States), Walker Art Center, 1983.
Video : A Retrospective, 1974-1984 / ed. by Kathy Rae HUFFMAN, Long Beach, Calif. (United States), Long Beach Museum of Art, 1984.
JENKINS Henry, Textual Poachers : Television Fans and Participary Culture, London (United Kingdom) ; New York (United States), Routledge, 1992.
JENKINS Janet, In the Spirit of Fluxus, Minneapolis, Minn. (United States), Walker Art Center, 1993.
JOHNSON T., The Voice of the New Music, New York (United States), Het Apollohuis, 1989.
KAPROW Allan, Assemblages, Environnements, Happenings, New York (United States), H.N. Abrams, 1966.
KAPROW Allan, L'art et la vie confondus, Paris (France), Editions du Centre Pompidou, 1996 (Supplémentaires).
KARCZMAR Natan, Vidéo 6e : événement vidéo collectif et simultané, 8-9-10 January 1986. Paris (France), Ecole nationale des beaux-arts, 1986.
KHAN Douglas, Noise Water Meat : A History of Sound in the Arts, Cambridge, Mass. (United States), MIT Press, 1999.
KIVY Peter, The Fine Art of Repetition : Essays in the Philosophy of Music, Cambridge (United Kingdom), Cambridge University Press, 1993.
KLONARIS Maria, THOMADAKI Katerina, Technologies et imaginaires, Art cinéma, art vidéo, art ordinateur, Paris (France), Editions Dis Voir, 1990.
Pour une écologie des médias : art, cinéma, vidéo, ordinateur / ed. by Maria KLONARIS and Katerina THOMADAKI, Paris (France), ASTARTI, 1998.
Video Art : an Anthology / ed. by Beryl KOROT, Mary LUCIER, Ira SCHNEIDER, New York (United States) ; London (United Kingdom), Harcourt, Bace and Jovaniovitch, 1976.
KRUGER Barbara, TV Guides, A Collection of Thoughts about Television. New York (United States), Kuklapolitan Press, 1985.
KULTERMAN Udo, Art, Events and Happenings, London (United Kingdom), Matthews, Miller and Dunbar, 1971.
Wie haltbar ist Videokunst ? = How durable is Video Art ? [Colloquium], Wolfsburg (Germany), Kunstmuseum, 1997.
LANDOW George, Hypertext :the Convergence of Contemporary Critical Theory and Technology, Baltimore, Md. (United States), London (United Kingdom), Johns Hopkins University Press, 1992.
LERNER Loren, Canadian film and video : a bibliography guide to the literature = Film et vidéo canadiens : bibliographie analytique sur le cinéma et la vidéo, Toronto, Ont. (Canada) ; Buffalo, N.Y. (United States) ; London (United Kingdom), University of Toronto Press, 1997.
LEVINSON Jerrold, L'art, la musique et l'histoire, Paris (France), Editions de l'Eclat, 1998.
LEVY Pierre, La machine univers : création, cognition et culture informatique, Paris (France), Editions La Découverte, 1987.
LEVY Pierre, Les technologies de l'intelligence : l'avenir de la pensée à l'ère informatique, Paris (France), Editions de La Découverte, 1990.
LEVY Pierre, Qu'est-ce que le virtuel ? Paris (France), Editions La Découverte, 1995.
LEVY Pierre, Cyberculture, Paris (France) O. Jacob, 1997.
LEVY Pierre, Becoming virtual : reality in the digital age, Paris (France) ; London ; Glasgow (United Kingdom), HarperCollins, 1998.
LOVEJOY Margot, Postmodern Currents, Art and Artists in the age of electronic media, London (United Kingdom), UMI Research Press, 1989.
Double take / ed. by Anja LUTZ, Horst LIBERA, Berlin (Germany), Shift, 2000.
MADESTRAND Bo, Till filmen, Göteborg (Sweden), Konstmuseum, 1996.
La vidéo, entre art et communication : guide de l’étudiant en art / ed. by Nathalie MAGNAN, Paris (France), Ecole nationale des beaux-arts, 1997.
MALSCH Friedemann, STRECKEL Dagmar, PERUCCHI-PETRI Ursula, Künstler-Videos, Entwicklung und Bedeutung, Zurich (Switzerland), Kunsthaus Zürich, 1995.
MANOVICH Lev, The Language of New Media, Cambridge, Mass. (United States), MIT Press, 2000.
MARION Ph., Contraintes temporelles et plasticité : publicité et vidéo-clip [Conference followed by debates], Cerisy, Centre culturel International, Cerisy la Salle (France), 14-21.06. 2001.
MAZA Monique, Les installations vidéo, " œuvres d’art ", Paris (France) ; Montreal, Quebec (Canada), L’Harmattan, 1998 (Champs visuels).
McLUHAN Marshall, FIORE Quentin, The Medium is the Message, New York (United States), Random House, 1967 ; Message et massage, Paris (France), J.-J. Pauvert, 1968.
MOLES Abraham, Art et ordinateur, Paris (France), Blusson, 1990.
MONET Dominique, Le multimédia, Paris (France), Flammarion, 1998 (Domino).
MORSE Margaret, BLUNCK Annika, INÁCIO Isabel, Hardware, software, artware : die Konvergenz von Kunst und Technologie = Confluence of art and technologie, Ostfildern (Germany), Cantz, 1997.
MOVIN Lars, CHRISTENSEN Torben, Art and Video in Europe : Electronic Undercurrents, Copenhagen (Denmark), Statens Museum for Kunst, 1996.
Circulating Film and Video Catalogue : vol. 2. New York (United States), Museum of Modern Art, 1990.
NASH Michael, Vision after television : technocultural convergence, hypermedia and the new media arts field, Minneapolis, Minn. (United States), University of Minnesota Press, 1996.
NELSON J., The Perfect-Machine, TV in the Nuclear Age, Between the Lines, Toronto, Ont. (Canada), 1988.
NYMAN Michael, Experimental Music : Cage and Beyond, New York (United States), Schirmer Books, 1974.
PAIK Nam June, Du cheval à Christo et autres écrits, Brussels (Belgium) ; Hamburg (Germany) ; Paris (France), L. Hossmann, 1993.
PAIK Nam June, Niederschriften eines Kulturnomaden : Aphorismen, Briefe, Texte, Cologne (Germany), DuMont, 1992.
PAIK Nam June, Beuys vox 1961-86, Seoul (Korea), Won Gallery ; Hyundai Gallery, 1986.
PAIK Nam June, Art for 25 million people-Bonjour, Monsieur Orwell-Kunst und Satelliten in der Zukunft, Berlin (Germany), DAAD Galerie, 1984.
PAIK Nam June, Art and Satellite, Berlin (Germany), DAAD Galerie, 1984.
PAIK Nam June, HANGARDT John G., Nam June Paik : Mostly Video, Tokyo (Japan), Metropolitan Art Museum, 1984.
PAIK Nam June [foreword], Catherine Ikam : dispositif pour un parcours vidéo, Paris (France) Musée national d'art moderne, 1980.
PARFAIT Françoise, Vidéo : un art contemporain, Paris (France), Editions du Regard, 2001.
Vidéo / ed. by René PAYANT, Montreal, Quebec (Canada), Editions Artextes, 1986.
Critical issues in electronic media / ed. by Simon PENY, Albany, N.Y. (United States), State University of New York, 1995.
PERINCIOLI Cristina, RENTMEISTER Cillie, Computer und Kreativität : ein Kompendium für Computer-grafik, Animation, Musik und Video, Cologne (Germany), DuMont, 1990.
PERREE Rob, Into Video Art : the Caracteristics of a Medium = de karakterieken van een medium, Rotterdam ; Amsterdam (Netherlands), Con Rumore, 1988.
Künstler-Video : Entwicklung und Bedeutung : die Sammlung der Videobänder des Kunsthauses Zürich / ed. by Ursula PERUCCHI-PETRI, Ostfildern-Ruit (Germany), Cantz, 1996.
PEZOLD Friederike, Kunst für das 21. Jahrhundert : Entwurf einer Gegenwelt = Art for the 21st century : Design of a counterworld = L'art pour le 21ème siècle : croquis d'un contremonde, Ostfildern (Germany), Cantz, 1995.
POPPER Frank, L'Art à l'âge électronique, Paris (France), Hazan, 1993.
POTTIER Marc, MOISDON Stéphanie, MOURAUD Tania, Walk on the Soho Side, Turin (Italy), Arte Fratelli Pozzo, 1997.
PREIKSCHAT Wolfgang, Video : Die Poesie der Neuen Medien, Basel (Switzerland), Belz, 1987.
PRICE Jonathan, Video-visions : a medium discovers itself, New York (United States), New American Library, 1977.
QUEAU Philippe, Eloge de la simulation : de la vie des langages à la synthèse des images, Paris (France), Champ-Vallon, 1986.
QUEAU Philippe, Metaxu : Théorie de l'art intermédiaire, Seyssel (France), Champ-Vallon, Bry-sur-Marne (France), INA, 1989.
QUEAU Philippe, Le Virtuel : vertus et vertiges, Seyssel (France), Champ-Vallon ; Bry-sur-Marne (France), INA, 1993.
Resolution : contemporary video practices / ed. by Michael RENOV and Erika SUDERBURG, Minneapolis, Minn. (United States), University of Minnesota Press, 1996.
REYNOLDS Simon, Blissed out : the Rapture of Rock, London (United Kingdom), Serpent's Tail, 1990.
REYNOLDS Simon, Energy Flash : A Journey through Rave Music and Dance Culture, London (United Kingdom), Picador, 1998 ; [American ed. ], Generation Ecstasy : Into the World of Techno and Rave Culture, Boston, Mass. (United Sates), Little Brown, 1998.
ROSS Christine, Images de surface : l'art vidéo reconsidéré, Montreal, Quebec (Canada), Artextes, 1996.
ROSS D., Artist's Video, New York (United States), 1973.
ROSSET Clément, Le réel : traité de l'idiotie, Paris (France), Editions de Minuit, 1977.
ROSSET Clément, Le réel et son double, Paris (France), Gallimard, 1984 (1st ed.).
ROSSET Clément, Le réel, l'imaginaire et l'illusoire, Biarritz (France), Editions Distance, 2000.
RUSH Michael, New Media in Late 20th Century Art, London (United Kingdom), Thames and Hudson, 1999 (World of art).
RUSH Michael, Les nouveaux médias dans l’art, Paris (France), Thames and Hudson, 2000 (L'Univers de l'art ; 82).
SAGERER Alexeij, ProT bringt Video, Film auf Video, Munich (Germany), Werkstatt, 1983.
SCHIMMEL Paul, Out of Actions : Between Performance and the Object 1949-1979, Los Angeles, Calif. (United States), 1998.
SCHNEIDER Irmela, THOMSEN Christian, W. Hybridkultur : Medien, Netze, Künste, Cologne (Germany), Wienand, 1997.
SCHWARZBAUER Georg F., Video in Düsseldorf, Düsseldorf (Germany), Staatlische Kunstacademie, 1984.
SHAPIRO Peter, LEE Iara, Modulations : A History of Electronic Music : Throbbing Words on Sound, Amsterdam (Netherlands), DAP ; New York (United States), Caipirinha Prod., 2000.
Widerstände : Kunst, Cultural Studies, Neue Medien : Interviews und Aufsätze der Zeitschrift Springerin 1995-1999 / ed. by SPRINGERIN, Hefte für Gegenwartskunst, Vienna (Austria) ; Bozen (Italy), Folio, 1999.
TAMINIAUX P., Modernisme et mythes de l'image, [conference followed by debates], Cerisy, Centre culturel International, Cerisy la Salle (France), 14-21.06.2001.
Petits écrans et démocratie : vidéo légère et télévision alternative au service du développement / ed. by Nancy THEDE and Alain AMBROSI, Paris (France), Syros/FPH/GRET, 1992 (Ateliers du développement).
THÉLY Nicolas, Vu à la webcam : essai sur la web-intimité, Dijon (France), Les Presses du réel, 2002 (Documents sur l’art).
TOOP David, Ocean of Sound, Aether Talk, Ambient Sound and Imaginary Worlds, London (United Kingdom), Serpent's Tail, 1995 ; Ocean of Sound, Ambient music, mondes imaginaire et voix de l'éther, Paris (France), Kargo-L'Eclat, 2000.
TOOP David, The Rap Attack : African Jive to New York Hip Hop, London (United Kingdom), Pluto Press, 1984.
TOOP David, The Rap Attak 2 : African Rap to Global Hip Hop, London (United Kingdom), Serpent's Tail, 1991.
TOOP David, The Rap Attak 3 : African Rap to Global Hip Hop, London (United Kingdom), Serpent's Tail, 2000
TOUCHARD Jean-Baptiste, Images numériques, Paris (France), Cedic Vifi International ; Nathan, 1987.
Video by artists 2 / Elke TOWN, Toronto, Ont. (Canada), Art Metropole, 1986.
TRESCHER Stephan, Light boxes : Leuchtkastenkunst, Nuremberg (Germany), Institut für moderne Kunst, 1999.
ULMER Gregory, Teletheory : Grammatology in the Age of Video, New York (United States), Routledge, 1989.
VAILLANT Alexis, PARFAIT Françoise, JANCOVIC Nikola, Les nouvelles images en 2001 : tome 1 : télévision, vidéo, internet, Paris (France), AFAA ; Ministère des affaires étrangères, 2001 (Chroniques de l'AFAA ; 29).
VALENTINI Valentina, Dirottamenti : Calle, Cohen, DV8, Pellizzari, Sellars, Milan (Italy), Comune di Milano, 1997.
La camera astratta : tre spettacoli tra teatro e video / ed. by Valentina VALENTINI, Milan (Italy), Ubulibri, 1988.
Allo specchio / ed. by Valentina VALENTINI, Rome (Italy), Lithos, 1998.
Il video a venire / ed. by Valentina VALENTINI, Rome (Italy), Rubbettino, 1999.
Vidéo et après : la collection vidéo du Musée national d'art moderne / ed. by Christine VAN ASSCHE, Paris (France), Editions du Centre Pompidou, 1992.
Actualité du virtuel, revue virtuelle sur CD-Rom / ed. by Christine VAN ASSCHE, Paris (France) Editions du Centre Pompidou, 1996.
Art after Modernism : Rethinking Representation / ed. by B. WALLIS, New York (United States), New Museum of Contemporary Art, 1984.
The artist’s body / Tracey WARR with the collaboration of Amelia JONES, London (United Kingdom), Phaidon, 2000.
WEIBEL Peter, On Justifying the Hypothetical Nature of Art and the Non-identicality within the Object World, Cologne (Germany), T. Grunert, 1992.
Les Chemins du virtuel : simulation informatique et création industrielle / ed. by J.L. WEISSBERG, Paris (France), Editions du Centre Pompidou, 1989.
WYWER John, The Moving Image : An International History Film : Television and Video, Oxford (United Kingdom), British Film Institute-Basil Backwell, 1990.
YOUNGBLOOD Gene, Expanded Cinema, New York (United States), Dutton, 1969.
Electronic Arts Intermix : video / ed. by Lori ZIPPAY, New York (United States), Electronic Arts Intermix, 1991.
General books
ARDENNE Paul, Un art contextuel : art urbain, en situation, d'intervention, de participation, Paris (France), Flammarion, 2002.
ADORNO Theodor Wiesengrund, Théorie esthétique, Paris (France), Klincksieck, 1974.
ADORNO Theodor Wiesengrund, Philosophie der neuen Musik, Tübingen (Germany), P. Siebeck, 1949 ; Philosophie de la nouvelle musique, Paris (France) Gallimard, 1962 [last ed. 1995].
BAUDRILLARD Jean, Simulacres et simulation, Paris (France), Editions Galilée, 1979.
BAUDRILLARD Jean, Les stratégies fatales, Paris (France), Grasset, 1983.
BENJAMIN Walter, L'homme, le langage et la culture, Paris (France), Gonthier, 1974.
BENJAMIN Walter, Essais II, 1935-1940, Paris (France), Denoël / Gonthier, 1983.
From Work to Text = Da obra ao texto / ed. by Jürgen BOCK, Centro cultural de Belém, Lisbon (Portugal), 2002.
BOLTER Jay David, GRUSIN Richard, Remediation : Understanding New Media, Cambridge, Mass. (United States), MIT Press, 1999.
BOUCHINDHOMME Christian, ROCHLITZ Rainer, L'Art sans compas : redéfinitions de l'esthétique, Paris (France), Editions Le Cerf, 1992.
BOURDIEU Pierre, Sur la télévision, Paris (France), Liber Editions, 1998.
BOURRIAUD Nicolas, Esthéthique relationnelle, Dijon (France), Les Presses du réel, 1998.
BOURRIAUD Nicolas, Formes de vie : l'art moderne et l'invention de soi : essai, Paris (France), Denoël, 1999.
BÜRGER Peter, Theory of the Avant-Garde, Minneapolis, Minn. (United States), University of Minnesota Press, 1992.
BÜRGER Peter, The Decline of modernism, Philadelphie, Pa. (United States), University Park Press, 1992.
DAMISH Hubert, Théorie du nuage, Pour une théorie de la peinture, Paris (France), Editions du Seuil, 1972.
DEBORD Guy, La société du spectacle, Paris (France), Buchet-Chastel, 1967 (1st ed.).
DEBORD Guy, Commentaires sur la société du spectacle, Paris (France), G. Lebovici, 1988.
DELEUZE Gilles, Logique du sens, Paris (France), Editions de Minuit, 1969.
DELEUZE Gilles, Cinéma 1. L'image-mouvement, Paris (France), Editions de Minuit, 1983.
DELEUZE Gilles, Cinéma 2. L'image-temps, Paris (France), Editions de Minuit, 1985.
DELEUZE Gilles, Le pli, Leibniz et le baroque, Paris (France), Editions de Minuit, 1988.
DELEUZE Gilles, GUATTARI Félix, Qu'est-ce que la philosophie ? Paris (France), Editions de Minuit, 1991.
DERRIDA Jacques, L'écriture et la différence, Paris (France), Editions du Seuil, 1967.
DERRIDA Jacques, La voix et le phénomène, Paris (France), Editions PUF, 1967.
ECO Umberto, L'oeuvre ouverte, Paris (France), Editions du Seuil, 1965.
ECO Umberto, La structure absente : introduction à la recherche sémiotique, Paris (France), Mercure de France, 1972.
FOSTER Hal, The Anti-Aesthetic, Essays on Postmodern Culture, Seattle, Wash. (United States), Bay Press, 1983.
FOSTER Hal, Recodings, Art, Spectacles, Cultural Politics, Washington, D.C. (United States), Bay Press, 1985.
FOSTER Hal, Discussions in Contemporary Culture, Seattle, Wash. (United States), Bay Press, 1987.
FOUCAULT Michel, Surveiller et punir : naissance de la prison, Paris (France), Gallimard, 1975.
FOUCAULT Michel, Les mots et les choses, Paris (France), Gallimard, 1976.
GODARD Jean-Luc, Introduction à une véritable histoire du cinéma, Paris (France), Editions Albatros, 1980.
GRAHAM Gordon, The Internet : a Philosophical Enquiry, London (United Kingdom), Routledge, 1999.
HOFSTADTER Douglas, Gödel, Escher, Bach : les brins d'une guirlande éternelle, Paris (France), Inter Editions, 1985.
JAMESON Frederic, Postmodernism or the cultural logic of the late capitalism, Durham (United Kingdom), Duke University Press, 1991.
JAMESON Frederic, The Anti-Aesthetic, Washington, D.C. (United States), Hal Foster, 1983.
KRAUSS Rosalind, Passages in Modern Sculpture, London (United Kingdom), Thames and Hudson, 1977 ; Passages : une histoire de la sculpture de Rodin à Smithson, Paris (France), Macula, 1997.
KRAUSS Rosalind, The Originality of the Avant-Garde and Other Modernist Myths, Cambridge, Mass. (United States), MIT Press, 1985 ; L’originalité de l'avant-garde et autres mythes modernistes, Paris (France), Macula, 1993.
LACAN Jacques, Ecrits I, Paris (France), Editions du Seuil, 1971.
LUNENFELD Peter, The Digital Dialectic, new essays on new medias, Cambridge, Mass. (United States), MIT Press, 1999.
LYOTARD Jean-François, Discours, figure, Paris (France), Klincksieck, 1978.
LYOTARD Jean-François, La condition postmoderne, Paris (France), Editions de Minuit, 1979.
McLUHAN Marshall, Pour comprendre les médias, Paris (France), Editions du Seuil, 1968.
McLUHAN Marshall, La galaxie Gutenberg, Paris (France), Gallimard, 1977.
MARCUS Greil, Lipstick traces : a secret history of the 20th century, Cambridge, Mass. (United States), Harvard University Press, 1989 ; Lipstick traces : une histoire secrète du 20e siècle, Paris (France), Allia, 1998.
MERLEAU-PONTY Maurice, Le Visible et l'invisible, Paris (France), Gallimard, 1964.
MERLEAU-PONTY Maurice, Le primat de la perception et ses conséquences philosophiques, précédé de Projet de travail sur la nature de la perception, 1933 ; La nature de la perception, 1934, Lagrasse (France), Verdier, 1996.
PANOFSKY Edwin, La perspective comme forme symbolique, Paris (France), Editions de Minuit, 1975.
POSCHARDT Ulf, Dj Culture, Hamburg (Germany), Rogner und Bernhard bei Zweitausendeins, 1995 ; Dj Culture, London (United Kingdom), Quartet Books Limited, 1998 ; Dj Culture, Paris (France), Kargo, 2001.
RANCIÈRE Jacques, Le partage du sensible : esthétique et politique, Paris (France), Editions La Fabrique, 2000.
RANCIÈRE Jacques, L’inconscient esthétique, Paris (France), Editions Galilée, 2001.
RANCIÈRE Jacques, La fable cinématographique, Paris (France), Editions du Seuil, 2001 (La Librairie du 20e siècle).
ROCHLITZ Rainer, Théories esthétiques après Adorno, Arles (France), Actes Sud, 1990.
SERRES Michel, La communication, Hermès 2, Paris (France), Editions de Minuit, 1974.
SHUSTERMAN Richard, Pragmatist Aesthetic : Living Beauty, Rethinking Art, Oxford (United Kingdom), Blackwell, 1992. L’Art à l’état vif : la pensée pragmatiste et l’esthétique populaire, Paris (France), Editions de Minuit, 1992.
SONTAG Susan, La photographie, Paris (France), Editions du Seuil, 1979.
SONTAG Susan, A Susan Sontag Reader, New York (United States), Vintage, 1982.
SZENDY Peter, Ecoute, une histoire de nos oreilles, Paris (France), Editions de Minuit, 2001.
THOM René, Paraboles et catastrophes, Paris (France), Flammarion, 1983.
VATTIMO Gianni, La fin de la modernité, Nihilisme et herméneutique dans le Tractatus logico-philosophicus, Paris (France), Gallimard, 1961.
VATTIMO Gianni, La culture postmoderne, Paris (France), Editions du Seuil, 1987.
VATTIMO Gianni, La société transparente, Paris (France), D. de Brouwer, 1990.
VATTIMO Gianni, Ethique de l'interprétation, Paris (France), Editions La Découverte, 1991.
VIRILIO Paul, Vitesse et Politique, Paris (France), Galilée, 1977.
VIRILIO Paul, Esthétique de la disparition, Paris (France), Balland, 1980.
VIRILIO Paul, L'Espace critique, Paris (France), C. Bourgeois, 1984.
VIRILIO Paul, L'Horizon négatif, Paris (France), C. Bourgeois, 1984.
VIRILIO Paul, L'Inertie polaire, Paris (France), C. Bourgeois, 1984.
VIRILIO Paul, Guerre et cinéma 1 : logistique de la perception, Paris (France), Editions de l’Etoile, 1986.
VIRILIO Paul, L'Art du moteur, Paris (France), Editions Galilée, 1993.
VIRILIO Paul, Cybermonde, la politique du pire, Paris (France), Editions Textuel, 1996.
VIRILIO Paul, La Machine de vision, Paris (France), Editions Galilée, 1998.
WILLIAM Gilda, BAUMAN Zygmunt, GILLICK Liam, GROSZ Elizabeth, Fresh Cream : art contemporain et culture : 10 conservateurs, 10 auteurs, 100 artistes, Paris (France), Phaidon, 2000.
WITTGENSTEIN Ludwig, Recherches philosophiques, Paris (France), Gallimard, 1970.
WITTGENSTEIN Ludwig, Leçons et conversations : conférences sur l'éthique, Paris (France), Gallimard, 1971.
Exhibition Catalogues
010101. Art in Technological Times / John S. WEBER, Aaron BETSKY, Benjamin WEIL, MoMA, San Francisco, Calif. (United States), 03.03.-08.07.2000.
About Time : Video, Performance and Installation by 21 Women Artists, Institute of Contemporary Art, London (United Kingdom), 1980.
A Forest of Signs : Art in the Crisis of Representation / ed. by Catherine GUDIS, Museum of Contemporary Art, Los Angeles, Calif. (United States), 07.05.-13.08.1989.
Americal Film and Video / Peggy AHWESH, Lawrence ANDREWS, Stan BRAKHAGE, Whitney Biennial : Electronic Undercurrents, Statens museum for kunst, Copenhagen (Denmark), 07.09.-30.11.1996.
Action, on tourne = Action, we 're filming / ed. by Laurence GATEAU, Villa Arson, Nice (France), 2000-2001.
Acting Out : the Body in Video then and now / org. by Julia BUNNAGE, Clarrie RUDRUM, Annushka SHANI, Alessandro VINCENTELLI, Victoria WALSH, Henry Moore Gallery, Royal College of Art, London (United Kingdom), 22.02.-13.03.1994.
American Documentary Video : Subject to change : a Video Exhibition / Deirdre BOYLE, Museum of Modern Art, New York (United States), 17.11.1988-10.01.1989.
American Landscape Video / William D. JUDSON, Electronic Grove, Carnegie Museum of Art, Pittsburgh, Pa. (United States), 1988.
Art and Electronics / Uwe NITSCHKE and Wulf HERZOGENRATH, Pao Sui Loong Gallery ; Pao Yue Kong Galleries ; Hong Kong Art Centre, Hong Kong (Hong Kong), 16.02.-05.03.1995.
Art and Film since 1945 / Kerry BROUGHER, Jonathan CRARY, Russell FERGUSON, Hall of Mirrors, Museum of Contemporary Art, Los Angeles, Calif. (United States), 1996.
Art and Technology / ed. by Atsuhiko SHIMA and Masakatsu OTA, Museum of Modern Art, Toyama (Japan), 01.07.-04.09.1983.
Art and Video in Europe : Electronic Undercurrents / Lars MOVIN, Torben CHRISTENSEN, Soren ANDREASEN, Statens museum for kunst, Copenhagen (Denmark), 07.09-30.11.1996.
L'Art au corps, le corps exposé de Man Ray à nos jours / Catherine MILLET, François PLUCHART, MAC, Musées de Marseille, Marseille (France), 06.07.-15.10.1996.
Art et ordinateur, vidéo et ordinateur /Anne-Marie DUGUET, Maison de la Culture, La Rochelle (France), 24.06.-31.08.1983.
The Arts for Television / ed. by Kathy Rae HUFFMAN, Dorine MIGNOT, Museum of Contemporary Art, Los Angeles, Calif. (United States) ; Stedelijk Museum, Amsterdam (Netherlands), 1987.
Art >Music : Rock, Pop, Techno / Sue CRAMER, Museum of Contemporary Art, Sydney (Australia), 21.03.-24.06.2001.
Art vidéo : rétrospectives et perspectives / ed. by Laurent BUSINE, Palais des beaux-arts, Charleroi (Belgium), 1983.
Art vidéo : confrontation 74 / Suzanne PAGÉ, Claudine EIZYKMAN, Yann PAVIE, Donald A. FORESTA, ARC, Musée d'Art Moderne de la Ville de Paris, Paris (France), 08.11.-8.12.1974.
L’art vidéo since 1976 en République Fédérale d’Allemagne : une sélection / Helmut FRIEDEL, Wolfgang PREIKSCHAT, Goethe Institut, Munich (Germany), 1986.
Art vidéo-vidéo art / Don FORESTA and Dominique BELLOIR, Le nouveau musée, Institut d’art contemporain, Villeurbanne (France), 19.02.-28.03.1980.
L'arte elettronica : metamorfosi e metafore / ed. by Silvia BORDINI, Palazzo dei Diamanti, Ferrara (Italy), 24.06.-02.09.2001.
Artronica : videosculture e installazioni multimedia / ed. by Anna D’ELIA, Santa Scolastica, Bari (Italy), 1987.
Being and Time : the Emergence of Video Projection / ed. by Marc MAYER, Albright-Knox Art Gallery, Buffalo, N.Y. (United States), 1996.
3e Biennale de Lyon : installation, cinéma, vidéo, informatique, Musée d'art contemporain ; Cité internationale ; Palais des Congrès, Lyon (France), 1995.
11e Biennale de Paris, Musée d'Art Moderne de la Ville de Paris, Paris (France), 1980.
12e Biennale de Paris, Musée d'Art Moderne de la Ville de Paris, Paris (France), 1982.
Blam ! The Explosion of Pop, Minimalism and Performance, 1958-1964 / ed. by Barbara HASKELL, Whitney Museum of American Art, New York (United States), 1984.
Boomerang / ed. by Susan HINNUM, Malene LANDGREEN, Sanne KOFOD OLSEN, Nicolaj-Copenhagen Contemporary Art Center, Copenhagen (Denmark), 21.02.-19.04.1998.
Campo video : nuova videoarte slovena = Slovenian videoart / ed. by Aurora FONDA, Venice (Italy), 06-31.12.1999.
CH’ 70-’ 80 : schweizer Kunst ‘70-’80 / foreword by Martin KUNZ, Kunstmuseum, Lucerne (Switzerland), 1981.
Cinema Cinema : Contemporary Art and the Cinematic Experience / Jaap GULDEMOND, Jean-Christophe ROYOUX, Stedelijk Van Abbemuseum, Eindhoven (Netherlands), 1999.
Correnti magnetiche : immagini virtuali e installationi interattive / ed. by Maria Grazia MATTEI, Centro espositivo della Rocca Paolina, Perugia (Italy), 11-25.05.1996.
La création vidéo en Belgique 1970-1990 / Philippe DUBOIS and Marc-Emmanuel MÉLON, Musée d’art moderne de la Ville de Paris, Paris (France), 1991.
Crossings : Kunst zum Hören und Sehen / ed. by Cathrin PICHLER and Edek BARTZ, Kunsthalle, Vienna, (Austria), 29.05.-13.09.1998.
De l’instabilité / ed. by Jean-Michel FORAY and Martine BOUR, Centre national des arts plastiques, Paris (France), 16.11.-10.12.1989.
De la création vidéo française / ed. by Stephen SARRAZIN, Institut français, Bucharest (Romania), 15-21.11.1991.
Digital Visions, Computer and Art, Everson Museum of Art, Syracuse, N.Y. (United States), 1987.
Dirottamenti / ed. by Valentina VALENTINI, Fondazione Mudima, Milan (Italy), 1996.
Ecstatic Memory : a Year-Long Series of 5 Video Programs = Souvenir sublime : une série de 5 programmes vidéo / foreword by Peggy GALE, Musée des beaux-arts de l'Ontario, Toronto, Ont. (Canada), 09.01.1999-02.01.2000.
Electra : l’électricité et l’électronique dans l’art au 20e siècle = Electra : Electricity and Electronics in the Art of the 20th Century / texts by Marie-Odile BRIOT, Jean VERMEIL, Sylvain LECOMBRE, Jean-Louis BOISSIER, Dominique BELLOIR, Edmond COUCHOT, Musée d'Art Moderne de la Ville de Paris, Paris (France), 1983.
Elettroshock : 30 anni di video in Italia 1971-2001 / ed. by Bruno DI MARINO and Lara NICOLI, Museo Laboratorio di arte contemporanea, Rome (Italy) 21-27.05.2001.
L'Epoque, la mode, la morale, la passion / ed. by Bernard BLISTÈNE, Catherine DAVID, Alfred PACQUEMENT, Musée national d'art moderne, Centre Georges Pompidou, Paris (France), 21.05.-17.08.1987.
L’ère binaire : nouvelles interactions / ed. by Charles HIRSCH and Michel BAUDSON, Musée communal, Ixelles (Belgium), 4.09.-29.11.1992.
Escape-Space : Raumkonzepte mit Fotografien, Zeichnungen, Modellen und Video / ed. by Ursula FROHNE and Christian KATTI, Ursula Blickle Stiftung, Kraichtal (Germany), 2000.
Ex oriente lux / ed. by Calin DAN, Sala Dalles, Bucharest (Romania), 24.11.-20.12.1993.
FremdKörper = Corps étranger = Foreign Body / text by Theodora VISCHER, Museum für Gegenwartskunst, Basel (Switzerland), 01.06.-29.09.1996.
From TV to Video e dal video alla TV : Nuovo tendenze del video nordamericano, L'immagine elettronica, Bologna (Italy), 1984.
Geschichten des Augenblicks : über Narration und Langsamkeit = Moments in time : on narration and slowness / ed. by Susanne GAENSHEIMER and Helmut FRIEDEL, Städtische Galerie im Lenbachhaus, Munich (Germany), 1999.
Heart of darkness / ed. by Marianne BROUWER, Kröller-Müller Museum, Otterlo (Netherlands), 18.12.-1994-27.03.1995.
<Hers> : Video als weibliches Terrain = Video as a Female Terrain / ed. by Stella ROLLIG, Landesmuseum Joanneum, Graz (Austria), 28.10.-10.12.2000.
Herz von Europa = Heart of Europa / ed. by Ilse GASSINGER, Inge GRAF, Walter ZYX, Infermental 9, Vienna (Austria), 1989.
Het lumineuze beeld = The luminous image, Stedelijk Museum, Amsterdam (Netherlands), 14.09.-28.10.1984.
Hors-Limites, l'art et la vie 1952-1994 / ed. by Jean de LOISY, Musée national d'art moderne, Centre Georges Pompidou, Paris (France), 09.11.1994-23.01.1995.
Ich und die anderen : Fotografien und Videoarbeiten / ed. by Ulrich POHLMANN, Ursula Blickle Stiftung, Kraichtal (Germany), 14.11-12.12.1999 ; Fotomuseum, Munich (Germany), 16.03.-07.05.2000.
Image on the Run : Dutch Video Art of the 80’s / texts by Rob PERREE, Sebastian LOPEZ, Amsterdam (Netherlands), 1985.
Image World : Art and Media Culture / Marvin HEIFERMAN, Lisa PHILLIPS, John G. HANHARDT, Whitney Museum of American Art, New York (United States), 08.11.-18.1989-18.02.1990.
Imágenes del video 1989 : ayudas para jóvenes creadores 1988, Instituto de la juventud, Madrid (Spain), 24.05.-17.06.1989.
Images en scène : installations vidéo et cinéma, spectacle, danse, image / ed. by Anne-Marie CORNU, Palais de Tokyo, Paris (France), June 1993. Art 3000, Jouy-en-Josas (France), 1993.
Imatges en moviment = Moving Image : Electronic Art / Zentrum für Kunst und Medientechnologie Karlsruhe (Germany), Fundació Joan Miró, Barcelona (Spain), 1992, Munich (Germany), Oktagon, 1992.
L’immagine elettronica : Eu-video ’85 : tendenze europee a confronto, Palazzo dei Congressi, Bologna (Italy), 16-19.02.1985.
L’immaginario technico : rassegna internazionale, Museo del Sannio, Benevento (Italy), 26.03.-14.04.1984.
Les Immatériaux / Yannick COURTEL, Nathalie HEINICH, Jean-François LYOTARD, Charles PERRATON, Centre de création industrielle, Centre Georges Pompidou, Paris (France), 28.03.-15.07.1985.
Impressions danse, Intermédia, Paris (France), 1988.
In video / ed. by Sandra LISCHI and Felice PESOLI, Centro internazionale di Brera, Milan (Italy), 22-25.11.1990.
Das innere befinden : das Bild des Menschen in der Videokunst der 90er Jahre = The inner state : the image of man in the video art of the 1990s / Christiane MEYER-STOLL, Hannelore PAFLIK-HUBER, Annette PHILIP, Kunstmuseum Liechtenstein, Vaduz (Liechtenstein), 2001.
Into the Light : the Projected Image in American Art 1964-1977 / ed. by Chrissie ILES, Whitney Museum of American Art, New York (United States), 18.10.2001-06.01.2002.
Installations vidéo : en collaboration avec Video Art Plastique, Théâtre d’Hérouville (France), 26.11.-13.12.1988.
Iterations : the New Image / ed. by Timothy DRUCKREY, International Center of Photography, New York (United States), 1993-1994.
Junge Szene ’96 / Andreas SPIEGL and Doris ROTHAUER, Wiener Secession, Vienna (Austria), 19.07.-15.09.1996.
Kunst und Technologie : elektronische Künste / ed. by Philomene MAGERS, Bärbel MOSER, Petra UNNÜTZER, Wissenschaftszentrum, Bonn-Bad Godesberg (Germany), 12.12.1986-04.01.1987.
KünstlerInnen : 50 Positionen, zeitgenössischer internationaler Kunst : Videoportraits und Werke / ed. by Edelbert KÖB, Kunsthaus, Bregenz (Austria), 28.09.-30.11.1997.
La Imagen sublime, video de creación en España 1970-1987, Madrid (Spain), 1987.
Laboratorio de Luz : PB 97-0335 : idea, imagen, universidad / Amparo CARBONELL, Salomé CUESTA, Maribel DOMÈNECH, Sala de exposiciones, Universidad politécnica, Valencia (Spain), 8-30.03.2001.
Lost in Sound 2 / ed. by Manoel de OLIVEIRA, Centro galego de arte contemporánea, Santiago de Compostela (Spain), 02.12.1999-12.03.2000.
Le ludique / Marie FRASER, Musée du Québec, Quebec (Canada), 27.09.-25.11.2001.
Magnetic North : Canadian Experimental Video / ed. by Jenny LION, Walker Art Center, Minneapolis, Minn. (United States), October 2000 ; Plus In, Winnipeg, Man. (Canada), November 2000.
Memoria del video : 1 : La distanza della storia : vent’anni di eventi video in Italia raccolti da Luciano Giaccari / ed. by Marco MENEGUZZO, Padiglione d’arte contemporanea, Milan (Italy), 15.12.1987-31.01.1988.
Mirades impúdiques : foto, video, film, websites / Rosa OLIVARES, Manuel DELGADO, Centre cultural de la Fundació La Caixa, Barcelona (Spain), 13 April-25 June 2000.
Monter-sampler : l'échantillonage généralisé / ed. by Yann BEAUVAIS and Jean-Michel BOUHOURS, Paris (France), Editions du Centre Pompidou ; Scratch Projection, 2000 (Quinze x Vingt & Un : Cinéma musique).
Moving Pictures / ed. by Lisa DENNISON and Nancy SPECTOR, Solomon R. Guggenheim Museum, New York (United States), 28.06.2002-12.01.2003.
Múltiplas dimensões = Multiples dimensions / Eugeni BONET and Christine VAN ASSCHE, Centro cultural de Belém, Lisbon (Portugal), 07.06.-31.07.1994.
Mutations de l'image : art cinéma, vidéo, ordinateur / ed. by Maria KLONARIS and Katerina THOMADAKI, ASTARTI pour l'audiovisuel, Paris (France), 1994.
Nature is Perverse, Fylkingen ; Moderna Museet, Stockholm (Sweden), 27-29.11.1998.
Net-Condition : Art and Global Media / ed. by Peter WEIBEL and Timothy DRUCKREY, Steirischer Herbst, Graz (Austria), 25.09.-24.10.1999.
New California Video : a Survey of Open Channel, 1985-89, Long Beach Museum of Art, Long Beach, Calif. (United States), 1989.
New video : Japan : a video exhibition …, Museum of Modern Art, New York (United States), 1985.
Nouvelles fictions dans la vidéo en France / Jean-Paul FARGIER, ARC, Musée d’art moderne de la Ville de Paris, Paris (France), 07.12.1985-09.02.1986.
Nouvelles tendances de la vidéo en France / ed. by Christine VAN ASSCHE, Musée national d’art moderne, Centre Georges Pompidou, Paris (France), 23.06.-30.10.1993.
Now See Hear ! Art, Language and Translation / ed. by Ian WEDDE, City Art Gallery, Wellington (New Zealand), 1990.
" On s’émerveille qu’une image arrive. Il pourrait ne rien y avoir ", Ecole régionale des beaux-arts Georges Pompidou, Dunkirk, (France), June 1986.
Outer Space : 8 Photo and Video Installations / ed. by Alexandra NOBLE, Newcastle upon Tyne, Laing Art Gallery, 1991 ; Hull, Ferens Art Gallery, 1991-1992 ; London, Camden Arts Centre, 1992 ; Bristol, Arnolfini Gallery, 1992. London (United Kingdom), South Bank Centre, 1991.
Passages de l'image / ed. by Raymond BELLOUR, Catherine DAVID, Christine VAN ASSCHE, Musée national d'art moderne, Centre Georges Pompidou, Paris (France) ; Fundación Caixa de Pensiones, Barcelone (Spain) ; Wexner Center for the Arts, Columbus, Conn. (United States) ; Museum of Modern Art, San Francisco, Calif. (Etas-Unis), 1990-1991.
Performance Art and Video Installation, Tate Gallery, London (United Kingdom), 16.09.-06.10.1985.
The Pleasure Machine : Recent American Video / Dean SOBEL, Milwaukee Art Museum, Milwaukee, Wis. (United States), 14.06.-18.08.1991.
Points de vue, images d’Europe / ed. by Christine VAN ASSCHE, Musée national d’art moderne, Centre Georges Pompidou, Paris (France), 14.12.1994-30.03.1995.
Positionen junger Kunst und Kultur : <Akzion, Muzik> : im Rahmen von " Das Neue Berlin " / ed. by Gisela SCHÖNE, Akademie der Künste, Berlin (Germany), 23.05.1999-01.01.2000.
Projections, les transports de l'image / Jacques AUMONT, Yann BEAUVAIS, Raymond BELLOUR, Le Fresnoy, Studio national des arts contemporains, Tourcoing (France), November 1997-January 1998.
Regards projetés : art vidéo dans les Balkans = Projected visions : video art in the Balkans / Marina GRZINIC, Zoran ERIC, Zoran PETROVSKI, Strasbourg (France), Musée d'art moderne et contemporain, 2001 ; Ecole supérieure des arts décoratifs, 2001.
Re-Play : Anfänge internationaler Medienkunst in Österreich / ed. by Sabine BREITWIESER, Generali Foundation, Vienna (Austria), 12.05.-06.08.2000.
Remembrances of Things Past : Collected Writings and Exhibition Catalog / ed. by Lane RELYEA and Connie FITZSIMONS, Long Beach Museum of Art, Long Beach, Calif. (United States), 23.11.1986-18.01.1987.
Le repubbliche dell'arte : Schweiz = Suisse = Svizzera = Svizra / Daria FILARDO, Sergio RISALITI, Palazzo delle Papesse, Centro arte contemporanea, Siena (Italy), 1999.
Le repubbliche dell'arte : Art and Artists from Israel and Palestina / ed. by Emidio DIODATO and Asher SALAH, Siena (Italy), Palazzo delle Papesse, Centro arte contemporanea, 2000.
Resolution, a Critique of Video Art, Los Angeles Contemporary Exhibitions, Los Angeles, Calif. (United States), 1986.
Revision, Art Programmes of European Television Stations / ed. by Dorine MIGNOT, Stedelijk Museum, Amsterdam (Netherlands), 1987.
Salade liégeoise : une rétrospective de dix ans de production de la vidéo de Liège = Ten years of video production from Liège / C. DERCON, P. DUBOIS, R. KALISZ, Internationaal Cultureel Centrum, Antwerp (Belgium), 27.02.-17.04.1985.
Sans titre : contemporary photography and video from France / ed. by Mary Evelynn SORRELL, International Contemporary Art Production, Houston, Tex. (United States), 1985.
Scream and scream again : film in art / Chrissie ILES, Museum of Modern Art, Oxford (United Kingdom), 14.07.-27.10.1996.
The Second Link, Viewpoints on Video in the Eighties, Walter Phillips Gallery, Banff Center School of Fine Arts, Banff, Alta. (Canada), 1983.
Segnali d’opera : arte e digitale in Italia per l’aggiornamento di un museo : 19 premio nazionale arti visive, Civica galleria d’arte moderna, Gallarate (Italy), 19 October-23 November 1997.
Señales de vídeo : aspectos de la videocreación española de los ultimos años, Madrid ; Las Palmas de Gran Canaria ; Pamplona ; Palma de Mallorca (Spain), 1995-1996.
Signs of the Times : a Decade of Video, Film and Slide-Tape Installations in Britain, 1980-1990 / ed. by Chrissie ILES, Museum of Modern Art, Oxford (United Kingdom), 1990.
Signs of the Times / ed. by Chrissie ILES, La Ferme du Buisson, Centre d’art contemporain de Marne-la-Vallée, Noisiel (France), 26.11.1993-13.02.1994.
Sonic Boom, Hayward Gallery, London (United Kingdom), 27.04.-18.06.2000.
Sonic Process : une nouvelle géographie des sons / ed. by Christine VAN ASSCHE, Museu d’art contemporani, Barcelona (Spain), 04.05.-30.07.2002 ; Musée national d’art moderne, Paris (France), 16.10.2002-06.01.2003.
Space Odysseys : Sensation and Immersion / ed. by Victoria LYNN, Art Gallery of New South Wales, Sydney (Australia), 18.08.-14.10.2001 ; Australian Centre for the Moving Image, Melbourne (Australia), 03-04.2002.
Spellbound : Art and Film / Ian CHRISTIE and Philip DODD, Hayward Gallery, London (United Kingdom), 1996.
Sound and vision. Musikvideo und Filmkunst : Ausstellung Retrospektive / ed. by Herbert GEHR, Deutsches Filmmuseum, Frankfurt am Main (Germany), with the cooperation of Long Beach Museum of Art, 16.12.1993-03.04.1994.
Sounds and Files, Künstlerhaus, Vienna (Austria), 10.03.-16.04.2000.
Sound Art-Sound as Media / Minoru HATANAKA and Rob YOUNG, NTT Inter Communication Center (ICC), Tokyo (Japan), 28.01.-12.03.2000.
Studio Azzurro / Andrea LISSONI, Palazzo delle Papesse, Centro arte contemporanea, Siena (Italy), 22.06.-25.08.2002.
Subverting Television : a Three Part Programme of British Video Art, Arts Council of Great Britain, London (United Kingdom), 1986.
Schweizer Videokunst, Kunsthaus, Langenthal (Switzerland), 1994.
Swiss video, Musée des beaux-arts, Lausanne (Switzerland), 09.1978.
Technopop in Wonderland, Musée d’art moderne de la Ville de Paris, Paris (France), 06.05.-12.06.1983.
Tele-Journeys / ed. by Joan JONAS and Jane FARVER, List Visual Arts Center, Cambridge, Mass. (United States), 2002.
Télé-visions de l'Europe, Bibliothèque publique d'information, Centre Georges Pompidou, Paris (France), Réunion des musées nationaux ; Editions du Centre Pompidou ; La Sept, 1990.
Transit : 60 artistes nés après 60 : œuvres du Fonds national d’art contemporain, Ecole nationale supérieure des beaux-arts, Paris (France), 16.09.-02.11.1997 ; Caisse des dépôts et consignations, Paris (France), 16-28.09.1997.
TV as a Creative Medium, Howard Wise Gallery, New York (United States), 1969.
UVS-Videosampler = VIS-Vidéosampler = VIS-Videosampler : Unabhängiges Video Schweiz 1987 = Vidéo Indépendante Suisse 1987 = Video Indipendente Svizzera 1987, Lucerne (Switzerland), 1987.
Video der 80er Jahre, Neue Galerie am Landesmuseum Joanneum, Graz (Austria), 19.09.-11.10.1987.
Video Skulptur, Retrospektiv und Aktuell 1963-1989, Kölnischer Kunstverein ; Kunststation St. Peter ; Belgisches Haus ; Kunsthalle, Cologne (Germany), DuMont, 1989.
Video, Lijnbaancentrum, Rotterdam (Netherlands), 09.02.-12.03.1973
Video, europäische Videotheken / Helmut FRIEDEL, René COEHLO, Wies SMAIS, Städtische Galerie im Lenbachhaus, Munich (Germany), 20.10.-01.11.1981.
Vidéo topiques : <tours et retours de l'art vidéo> / Patrick JAVAULT, Georges HECK, Maurizio LAZZARATO, Strasbourg (France), Musée d'art moderne et contemporain, 18.10.2002-02.02.2003.
Video : Towards Defining an Aesthetic / David HALL and Tamara KRIKORIAN, Third Eye Centre, Glasgow (United Kingdom), 16-21 March 1976.
Video about video : Four French Artists : P.-A. Gette, Ph. Guerrier, Thierry Kuntzel, Ph. Oudard, University Art Museum, Berkeley, Calif. (United States), 10.1980.
Video Art 4 : Contemporary Israeli Artists / Richard FLANTZ, Tel Aviv Museum of Art, Tel Aviv (Israel), 14.04.-10.06.2000.
Videoarte a Palazzo dei Diamanti 1973-1979, Foyer della Camera di Commercio, Turin (Italy), April 1980.
Video arte internacional / Jorge GLUSBERG and Laura BUCCELLATO, Buenos Aires (Argentina) 1990, Museo nacional de bellas artes, Buenos Aires (Argentina), 1990.
Vidéo Cube, FIAC 2001, Pavillon du Parc, Paris (France), 10-15.10.2001.
Vidéo Cube, FIAC 2002, Pavillon du Parc, Paris (France), 24-28.10.2002.
Video cult/ures : multimediale Installationen der 90er Jahre / ed. by Ursula FROHNE, Museum für Neue Kunst-Zentrum für Kunst und Medientechnologie, Karlsruhe (Germany), 1999.
Video de artista e televisão : a televisão vista por artistas de video, Museu de arte contemporanea, São Paulo (Brazil), 1986.
Vidéo et multimédia / Soon-Gui KIM and Daniel CHARLES, Centre de la Vieille Charité ; Institut méditerranéen de recherche et de création, Marseille (France), 25.06.-10.07.1986.
Video-film et audio-visuel, Musée Sart Tilman, Liège (Belgium), 15.10.-15.11.1977.
Video International, Kunstmuseum, Aarhus (Denmark), 10-22 février 1976.
Video from Tokyo to Fukui and Kyoto / foreword by Barbara J. LONDON, Museum of Modern Art, New York (United States), 19.04.-19.06.1979.
Videoscape : an Exhibition of Video Art / Marty DUNN, Peggy GALE, Gary Neill KENNEDY, Art Gallery of Ontario, Toronto, Ont. (Canada), 20.11.1974-01.04.1975.
Video-sonorité : la vidéo naît du bruit / ed. by Jean GAGNON, Musée des beaux-arts du Canada, Ottawa, Ont. (Canada), 06.10.1994-02.01.1995.
Video Spaces, Eight Installations / Barbara LONDON, Museum of Modern Art, New York (United States), 22.06.-12.09.1995.
Video Spain, ExiT Art, New York (United States), 1988.
Vidéo sculptures / Dominique BELLOIR, Bernard MARCADÉ, Charles DREYFUS, Michel GIROUD, ARCA, Centre d’art contemporain, Marseille (France), 03-22.06.1985.
Video : The Distinctive Features of the Medium, Video Art, Institute of Contemporary Art University of Pennsylvania, Philadelphia, Pa. (United States), 17.01.-28.02.1975.
Video Times, Serpertine Gallery, London (United Kingdom) 01-26.05.1975.
Video Tapes, Kölnische Kunstverein, Cologne (Germany), 06.07.-08.08.1974.
VIP : Albert Benamou présente VIP, vidéo-image(s)-peinture / Stephen SARRAZIN, Galerie du Génie, Paris (France), 20.10.-20.11.1990.
Voices = Voces = Voix / ed. by Christopher PHILLIPS [catalog of the itinerant exhibition], Rotterdam, Barcelona, Tourcoing, 1998-1999. Rotterdam (Netherlands), Witte de With, 1998 ; Barcelona (Spain), Fundació Joan Miró, 1998 ; Tourcoing (France), Le Fresnoy, 1999.
What a Wonderful World : Musicvideos in Architecture / Frans HAKS and Niek VERDONK, Groninger Museum, Groningen (Netherlands), 1990.
White Cube, Black Box : Skulpturensammlung, Video, Installation, Film / ed. by Sabine BREITWIESER, Generali Foundation, Vienna (Austria), 26.01.-14.04.1996.
X-Y : <jeunes artistes> / Stéphanie MOISDON, Nicolas TREMBLEY, Christine VAN ASSCHE, Musée national d'art moderne-Centre de création industrielle, Paris (France), 26.10.1995-12.02.1996.
Festival Catalogues
Argos festival, Brussels (Belgium), since 1989.
Artec, International Biennale in Nagoya, Nagoya (Japan), since 1989.
Artifices, Saint-Denis (France), since 1990.
Artlab, Tokyo (Japan), since 1991.
Ars Electronica, Linz (Austria), since 1986.
Australian Video Festival, Sydney (Australia), since 1986.
AVE, International audiovisual experimental festival, Arnhem (Netherlands), since 1986.
Bandits-mages, Bourges (France), since 1992.
Bienal de la imagen en movimiento, [in various places] (Spain), since 1985.
Bienal de São Paolo, São Paolo (Brazil), since 1951.
La Biennale de Paris, Paris (France), 1972-1985.
Biennale de l’image, Paris (France), since 1998.
Biennale de l'image en mouvement, Centre pour l’image contemporaine Saint-Gervais, Geneva (Switzerland), since 1985.
Biennale de Lyon d'art contemporain, Lyon (France), since 1991, video department since 1995.
Biennale de Montreal, Montreal, Quebec (Canada), since 1998.
La Biennale di Venezia, Venice (Italy), since 1982.
Biennale internationale de l'image, Nancy (France), former Festival international de l'image, since 1979.
Biennial of Sydney, Sydney (Australia), since 1979.
Documenta, Internationale Ausstellungen moderner Kunst, Cassel (Germany), since 1972.
Experimenta, Melbourne (Australia), since 1988.
Festival des arts électroniques, Rennes (France), 1986-2001.
Festival européen d'art des médias, Osnabrück (Germany), since 1988.
Festival International de l'Image, photographie, cinéma et multimedia, Vevey (Switzerland), 1995-2000.
Festival international du nouveau cinéma et de la vidéo, Montreal, Quebec (Canada), video department since 1982.
Festival nacional de video, Círculo de bellas artes, Madrid (Spain), 1984 and 1986.
Film-, Video-und Multimedia-Festival Luzern (VIPER), Lucerne (Switzerland), since 1970.
GAMVideoFestival, Galleria civica d’arte moderna e contemporanea, Turin (Italy), since 2002.
Japan Video Television Festival at Spiral, Tokyo (Japan), since 1988.
Imagina, Monaco (France) ; CNIT La Défense (France), since 1999.
International Film Festival, Rotterdam (Netherlands), since 1971.
ICA Biennial of Independant Film and Video, London (United Kingdom), since 1992.
International Open Encounter on Video, CAYC, Centro de arte y comunicación, Buenos Aires (Argentina) [in various places], since 1972.
International Sound Basis Visual Art Festival, Wroclaw (Poland), since 1991.
London Festival of Moving Images, London (United Kingdom), since 1996.
Manifestation internationale de vidéo et télévision, Montbéliard (France), 1982-1992.
Marler Video-Kunst Preis, Marl (Germany), since 1986.
Das Medienkunstfestival des ZKM, Karlsruhe (Germany), since 1992.
Merseyside’s International Video Festival, Liverpool (United Kingdom), since 1991.
National Video Festival, American Film Institute, Los Angeles, Calif. (United States), since 1982.
Paris photo, Salon international de la photographie, Paris (France), video department since 2001.
Salso Film eTV Festival, Salsomaggiore (Italy), since 1978.
Semaine internationale de Vidéo, MJC Saint-Gervais, Geneva (Switzerland), since 1985.
SONAR, Barcelona (Spain), since 1994.
Vidéo Art Plastiques, Hérouville Saint-Clair (France), since 1987.
Video positive, Liverpool (United Kingdom), FACT, Foundation for Art & Creative Technology, since 1995.
Vidéoformes, festival de la création vidéo, Clermont-Ferrand (France), since 1986.
Videonale Bonn, Bonn (Germany), since 1985.
Visibilità zero, rassegna internazionale del video d’autore, (Italy), [in various places], since 1997.
Whitney Museum of American Art Biennal, New York (United States), since 1932.
World Wide Video festival, Kijkhuis, The Hague (Netherlands), since 1982.
World Wide Video festival, Amsterdam (Netherlands), since 1984.
Articles and essays
APPADURAI Arjun, " Grassroots Globalization and the Research Imagination ", Public Culture, special issue, " Globalisation " vol. 12, n° 1, Chicago, Ill. (United States), 2000.
APPADURAI Arjun, " Disjuncture and Difference in the Global Cultural Economy ", Public Culture, vol. 2, n° 2, Chicago, Ill. (United States), 1990.
APPADURAI Arjun, " Disjuncture and Difference in the Global Cultural Economy, Modernity at Large " / selected by Hou Hanru, Cream, Contemporary Art in Culture : 10 Curators, 10 Writers, 100 Artists, London (United Kingdom), Phaidon, 1998, p. 21-24.
BARTHES, Roland, " La Mort de l’auteur ", Le Bruissement de la langue, Paris (France), Editions du Seuil, 1984, p. 61-69.
BELLOUR Raymond, " La forme où passe mon regard ", Dans la vision périphérique du témoin, Marcel Odenbach, Paris (France), Editions du Centre Pompidou, 1987, p. 10-19.
BITOMSKY Hartmund, " Cinéma, vidéo et histoire ", Face à l'histoire 1933-1996, l'artiste moderne devant l'événement historique, Paris (France), Editions du Centre Pompidou, 1996, p. 552-556.
BLISTÈNE Bernard, " ‘Espérez-vous vivre quelque chose d'extraordinaire dans ce lieu ?’ demande le vieil homme au plus jeune ", Dans la vision périphérique du témoin : Marcel Odenbach, Paris (France), Editions du Centre Pompidou, 1987, p. 22-23.
CAMOLLI Jean-Louis, RANCIÈRE Jacques, " L'inoubliable ", Arrêt sur histoire, Paris (France), Editions du Centre Pompidou, 1997 (Supplémentaires, n. 4).
CHEVALIER Denis, " Ouverture du champ musical ", Monter-sampler : l'échantillonnage généralisé, Paris (France), Editions du Centre Pompidou, 2000 (Scratch Projection), p. 70-72. P. (74, 76, 78, 80).
DUBOIS Philippe, " La passion, la douleur et la grâce, note sur le cinéma et la vidéo dans la dernière décennie (1977-1987) ", L'époque, la mode, la morale, la passion : aspects de l'art d'aujourd'hui 1977-1987, Paris (France), Editions du Centre Pompidou, 1987, p. 74-87.
DURAND Régis, " Toute l'histoire du monde dans une image ... à propos d'Harun Farocki ", Art press, Paris (France), n. 190, April 1994.
FARGIER Jean-Paul, " Où va la vidéo ? ", Cahiers du cinéma, Paris (France), hors série, 1986.
FLECK Robert, " L'actualité du happening ", Hors limites, l'art et la vie, 1952-1994, Paris (France), Editions du Centre Pompidou, 1994, p. 310-317.
HEINTZ Julie, " La question des médias ", Joseph Beuys, Paris (France), Editions du Centre Pompidou, 1994, p. 284-288.
KAPROW Allan, " L'art vidéo : vieux vin, nouvelle bouteille ", L'art et la vie confondus, Paris (France), Editions du Centre Pompidou, 1996, p. 182-187.
LAGEIRA Jacinto, " L'image du monde dans le corps du texte ", Gary Hill, Paris (France), Editions du Centre Pompidou, 1992, p. 34-70.
MANOVICH Lev, " Echantillonner, mixer l'esthétique de la sélection dans les anciens et les nouveaux médias ", Monter-sampler : l'échantillonnage généralisé, Paris (France), Editions du Centre Pompidou (Scratch Projection), 2000, P. 46-48, 50, 52, 54, 56, 58, 60.
MASSÉRA Jean-Charles, " Danse avec la loi ", Bruce Nauman : image-texte 1966-1996, Paris (France), Editions du Centre Pompidou, 1997, p. 20-33.
PAIK Nam June [interview], " Nam June Paik, Fluxus a changé le monde ", Hors limites, l'art et la vie, 1952-1994, Paris (France), Editions du Centre Pompidou, 1994, p. 177-187.
PAIK Nam June, " L'homme qui est mort deux fois ", Joseph Beuys, Paris (France), Editions du Centre Pompidou, 1994, p. 362-363
POSCHARDT Ulf, " Le Sampling à l’époque de son utilisabilité technique " [from Ulf Poschardt, Dj Culture, Hambourg, Rogner und Bernhard Bei Zweitausendeins, 1995]. Nomad’s Land, n° 3, Spring-Summer 1998, p. 18-22.
ROSOLATO Guy, " La voix : entre corps et language ", Revue française de psychanalyse, Editions POL, Paris (France), vol. 38, n. 1, January 1974.
ROYOUX Jean-Christophe, " Le conflit des communications = Kommunikationskonflikte = The conflict of communications ", Stan Douglas, Paris (France), Editions du Centre Pompidou, 1994, p. 24-71.
ROYOUX Jean-Christophe, " Pour un cinéma d'exposition, retour sur quelques jalons historiques ", Omnibus, Paris (France), n. 20, April, 1997.
ROYOUX Jean-Christophe, " Expanded-ExtendEd. Héritage, transformation et ramification d'un concept esthétique dans l'art des années 60 ", 1 : Omnibus, Paris (France), n. 23, janvier 1998, 2 : Omnibus, Paris (France), n. 24, April 1998.
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Web Sites
Adaweb<http://www.adaweb.com/adaweb>
Argos, Brussels (Belgium)<http://www.argosarts.org>
Ars Electronica Center, Linz (Austria)<http://www.aec.at>
Artcrime<http://www.graffiti.org>
ARTEC, Arts Technology Centre, London (United Kingdom)<http://www.artec.org.uk>
Artnetweb<http://www.artnet.com>
Banff Center, Banff, Alta. (Canada)<http://www.banffcentre.ca>
C Theory<http://www.ctheory.net>
Centre national d'art et de culture Georges Pompidou, Paris (France)<http://www.centrepompidou.fr>
Centre pour l'image contemporaine, Saint-Gervais, Geneva (Switzerland)<http://www.sgg.ch>
CICV Pierre Schaeffer, Montbéliard (France)<http://www.cicv.fr>
Critical Forum (Jordan Crandall)<http://www.eyebeam.org>
Dia Center for the Arts, New York (United States)<http://www.diacenter.org>
Electronic Arts Intermix, New York (United States)<http://www.eai.org>
Fluxus <http://www.panix.com/~fluxus/fluxusText.html>
Fonds régional d'art contemporain, région Languedoc-Roussillon, Montpellier (France)<http://www.fraclr.org>
Guerrilla Girls<http://www.guerrillagirls.com>
Getty Museum, Los Angeles (United States)<http://www.getty.edu/museum>
Icono <et> Cie, Paris (France)<http://www.icono.org>
Institut für Neue Medien, Frankfurt (Germany)<http://www.inm.de>
Journal of Contemporary Art<http://www.jca-online.com>
Laboratoire d'art de Paris 8 / Artifices, Paris (France)<http://www.labart.univ-paris8.fr>
Le Magasin, Grenoble (France)<http://www.magasin-cnac.org>
Leonardo<http://cyberworkers.com/Leonardo>
Locus + (United Kingdom)<http://www.locusplus.org.uk>
London Electronic Arts, London (United Kingdom)<http://www.lea.org.uk>
Medialounge, Amsterdam (Netherlands)<http://www.medialounge.net>
Mediamatic (Netherlands)<http://www.mediamatic.nl/Magazine>
Le Métafort, Aubervilliers (France)<http://www.heartgalerie.fr>
Musée d'art contemporain de Montréal, Montreal, Quebec (Canada)<http://media.macm.qc.ca>
Musée des beaux-arts, Montreal, Quebec (Canada)<http://www.mbam.qc.ca>
Museum Moderner Kunst Stiftung Ludwig, Cologne (Germany)<http://www.museenkoeln.de/ludwig>
Museum of Contemporary Art, Los Angeles, Calif. (United States)<http://www.moca.org>
Museum of Modern Art, New York (United States)<http://www.moma.org>
Museum of Modern Art, San Francisco, Calif. (Etas-Unis)<http://www.sfmoma.org>
NTT Intercommunication Center, Tokyo (Japan)<http://www.ntticc.or.jp>
Palais de Tokyo, Site de création contemporaine, Paris (France)<http://www.palaisdetokyo.com>
Rencontres internationales Paris-Berlin, Paris (France) ; Berlin (Germany)www.art-action.org <http://www.art-action.org>
Rhizome (Mark Tribe)<http://www.rhizome.org>
Studio national des arts contemporains Le Fresnoy, Tourcoing (France)<http://www.le-fresnoy.tm.fr>
Synesthésie, Aubervilliers (France)<http://www.synesthesie.com>
The Thing, Vienna (Austria) ; Amsterdam (Netherlands) ; Berlin (Germany) ; Frankfurt (Germany) ; Basel (Switzerland)<http://www.thing.net/>
Villa Arson, Centre national des arts plastiques, Nice (France)<http://www.cnap-villa-arson.fr>
Video Data Bank : Video Art and Video Artist, Chicago, Ill. (United States)<http://www.vdb.org>
Walker Art Center : Minneapolis, Minn. (United States) http://www.walkerart.org
World Wide Video Festival, Amsterdam (Netherlands)<http://www.wwvf.nl>
Zentrum für Kunst und Medientechnologie, Karlsruhe (Germany)<http://www.zkm.de>